Julie Byrne Live in Singapore

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*****Julie Byrne*****
“she paints sublime, awestruck moments when simple things become overwhelming”
Pitchfork (Best New Music)

“When it’s only January but you’re already convinced you’re listening to one of the finest albums of the year, then it’s highly possible you’ve heard something very special indeed”
NME

“A Voice of rare Elegance”
the Guardian

American singer/songwriter Julie Byrne has had a busy year, with the release of her latest album that made the 'Best Albums of the Year' list by many highly regard publications including Pitchfork, the Guardian, etc. She followed the release with an extensive tour of North American and is finally making her way to Asia for her first tour of the region.

Her first album was released in January 2014, on Chicago based DIY label Orindal after first existing as two separate cassette releases. Rooms With Walls and Windows went on to become a true modern-day word of mouth success story (it would have to be for an artist who shuns all forms of social media). By the end of the year, it was voted number 7 in Mojo Magazine’s Best Albums, with the Huffington Post calling it, “2014’s Great American Album.” A collection of hushed intimate front porch psych-folk songs, recalling the greats, but strongly emanating the essence of timeliness. Her journey to follow was captured in two summers through Europe, playing the Green Man Festival and End of the Road, as well as lesser trodden tour paths around Italy.

In the live arena she enchants, leaving rooms and festival crowds mesmerized by her voice and warm presence, where many find a real connection with Byrne’s intimate songs. This feeling is often shared: “The most magical thing about performing these songs is that afterwards, so many of the conversations I have escape all small talk,” tells Julie. “Shows don’t always have this spirit, but when they do, every person has contributed, even unknowingly, to creating a space of responsiveness to each other through vulnerability, through our unified experience and honesty about our sorrow and our emergence.”